For the love of TV: What TV show survived the summer cuts?
Originally published on Baladna English on 17th of May 2011.

The end of the American TV season is upon us; each year around the mid of May, beloved TV series face a challenge that some mange to overcome whiles others basically fall: Would they make it to yet another season, or is it the end of the trip for them?
Based on quality and viewers ratings; American TV executives have to decide whether to allow a certain TV show to continue its airtime or not! The executives base their decisions on multiple accounts: How many people are watching the TV series? How good the plotlines and the stories told on that series are, and most importantly, how much advertisers are interested in buying TV spots to air ads about their products during this TV series. Based on these elements; some TV series keep their spot for yet another season, while others are dropped from the schedule and replaced by new TV series all together.
This year is no difference: many TV series has been canceled and not renewed for a new season while others were considered a success and are expected to come back in the Fall season of 2011.
Famous TV series and Musical Glee has been one of the easiest decisions this year for those executives: The hit TV series was renewed for season three even before the current season two began shooting. Back in May 2010, Fox, the channel producing the TV series, announced that they are not only ordering the making of season two of the series, but also of season three. Obviously, people would not “stop believing” in the power of Glee anytime soon.
Medical drama fans: rejoice! Grey’s Anatomy, and its spin-off Private Practice has both been renewed for another season; which would be season eight for Grey’s and season five for Private Practice.
House M.D., the TV series following the ups and downs of genius (yet seriously mean) Dr. House, is renewed as well for an eighth season. The series was under the spotlight during season six and it was expected to be canceled after this season; but the creative team behind the series managed to bring back interest in the show and viewers went back to watch their favorite doctor doing his magic.
Those in love with Humor Simpsons and his eccentric family are happy to know that The Simpsons are renewed for yet another season; next year’s season would be the animated sitcom’s 23rd season, which means the show will reach 500 episodes. In 2009, The Simpsons was recognized by Guinness World Records as the world’s longest running sitcom.
After a long period of uncertainty regards the TV sitcom Two and a Half Men after actor Charlie Sheen announcement back in February 2010 that he was entering drug rehabilitation which extended to a long struggle to keep the show working for the last year; the show has been saved by actor Ashton Kutcher who would replace Sheen as the main character and push Two and Half Men towards a ninth season airing next year.
The Office might not be starring funnyman Steve Carell anymore but the show most go on. Will Farrell steps in to take over the main role as the crazy office manager mingling in all of his employees lives and the show season eight will start airing in the fall.
How I met Your Mother is one of the luckiest shows on TV at the moment; as it was not renewed for only one season, but for two. The comedy will air its seventh season in the 2011-2012 period and follows it with its eighth season in 2012-2013. Would we get to know, finally, how the main character Ted Mosby met the mother of his children? The future can only tell.
Fans’ favorite The Vampire Diaries is naturally renewed for a third season next year. The supernatural drama is considered a big success over the last two seasons especially that its pilot episode attracted the largest audience of any series premiere since the network began in 2006.[2] The first season averaged 3.60 million viewers.[3] The show initially received average reviews, but critics agreed that the series improved over the course of the season; the second season premiered to generally favorable reviews.
Many shows are not decided upon yet, but these following shows are sure to come back for a new season: Desperate Housewives, Criminal Minds, CSI, Mike & Molly, NCIS: LA, The Mentalist, Law &Order: SVU and Hawaii 5-0.
ABC has canceled fans’ favorite Brothers & Sisters among their list of cancelation, which included Detroit 1-8-7, No Ordinary Family, Off the Map and V. If you count the shows canceled earlier in the season, the network has canceled 8 dramas in all this season.
Other shows that has been canceled are My Generation, The Whole Truth, Medium, Life Unexpected, Running Wilde, Lone Star, The Good Guys, Smallville and The Paul Reiser Show.
Rush of Adrenaline: New athletics are finding a niche in Syria.
Originally Published on monthly magazine Syria Today in their May issue.
Photo Adel Samara

Parkour enthusiasts perform in Tishreen Park in central Damascus.
“Let me tell you about extreme sports,” Nasser Qabani, a 40-something trainer in a gym in the neighborhood of Mezzeh, said. “Back in the day, anyone in Syria playing something other than football was considered ‘singing out of the choir’.”
This is changing as thrill-seekers take up sports such as parkour and bike dancing.
“Now we see a lot of people taking innovative steps towards getting to know new and unusual sports that we hadn’t heard of before,” Qabani said.
Overcoming obstacles
At Tishreen Park in central Damascus, young people gather every Friday morning to partake in parkour. They jump, climb, vault, roll, swing, scale walls and run along a route. The objective is to continue moving at all times while overcoming obstacles. They use objects around them to perform difficult movements that test both physical strength and coordination.
Parkour, also known as “free running” and sometimes as “PK”, is a non-competitive sport that originated in France in the early 1900s. It is considered an art form by participants and has quickly become an underground sensation in Damascus where it started less than four years ago.
“I’m still new to the art of parkour myself, I started to train only six months ago,” Mahmoud Jawish, who coaches nine teenagers at Tishreen, said. “But I have been an enthusiast of sports for the last 15 years and I’m one of the very few people practicing this art here.”
Because of his long-time interest in athletics, Jawish said he understands parkour better than others and is largely responsible for introducing it to Syria. Interest in turning parkour into a mainstream sport surged when the regional TV programme Arabs Got Talent screened performances by a Moroccan parkour group in January 2011.
Ahmed Alwan, 25, joined the club five months ago and is one of Jawish’s most talented trainees. He was a bodybuilder for almost three years before becoming a free runner. He said parkour provides an outlet for his excess energy and anxiety.
“It’s an alternative sport that needs concentration, strength, focus and spirituality, and for that I love it,” he said. “It attracts me with the level of spirituality in it. When I’m upset, I play parkour and I feel much better.”
Others in the park train without the help of a teacher.
Mostapha Zakaria, 17, began practicing parkour two-and-a-half years ago. He and a group of teenage boys learn by downloading and imitating Youtube videos.
“We don’t feel like belonging to a group or having a trainer. My family supports my activity, yet when they offered to register me in a club, I refused,” he explained, referring to Jawish’s organisation.
Riding on
Another activity taking place on the streets of Syria gives a modern twist to a traditional activity. Cycling in Damascus is usually a leisurely affair. But some young Syrians are transforming it from a mode of transportation into a face-paced sport called “bike dancing”.
At Arnous Square, a group of five friends gather almost daily. From there, they ride to streets and parks throughout the city, where they jump off ledges and weave through crowds on one wheel. They jump in the air and hold their balance while spinning the bike around underneath them.
“I have been dancing with my bike for the last 10 years,” Ahmed Jawish, 19, said. “It’s my thing, really.”
He does not wear a helmet, even though he and his fellow cyclers ride on dangerous streets and attempt risky tricks. He said the sport is his way of “blowing off steam”.
Mohamed Hajjar, an 18-year-old barber, is another bike dancer. He said he had to prove both his skills and his respectability before the group accepted him.
“They do not want anyone to change their reputation of being a respectful group,” he said. “They wanted to make sure that I won’t bother any lady passing by or scare a child. I proved myself to them and now I’m one of them.”
Tragedy of Theatre in Syria
Originally published on monthly magazine Syria Today in the May issue.
While Syrian theatre is becoming more creative, outlets for innovations are limited.

Insufficient theatre space is hindering the development of the art form, playwrights, directors and producers told Syria Today.
“Writing is an individual activity, yet to create a workshop for a theatre, you need a space to exchange ideas, discuss them and collaborate on turning them into an actual performance,” Abdullah al-Kafri, a Syrian playwright, said.
Such spaces are few, even though there are more than 400 national cultural centres in Syria. Each has a theatre that is, theoretically, allocated for public use. Yet these stages are unsuitable for live performances.
“They are not designed as theatre stages,” Kafri explained. “They might work as a lecture stage or even to screen a movie, but not for a theatre play, which needs the right balance in its stage.”
Breaking in
Competition for space is intensified because well-known theatres prefer to stage international productions backed by famous directors rather than those written and produced by young Syrians, Modar al-Hajj, a 29-year-old playwright, explained.
The National Institute of Theatre and Music (NITM) prefers to work with well-known and established directors than with young people trying to establish their careers.
“Famous directors who manage to get their work on the [NITM] schedule usually like to rely on foreign plays and scripts, rather than take advantage of talented writers in Syria,” Hajj explained. “It is very rare that you see a Syrian production that is based on a Syrian script.”
The fact that the national institute’s schedule for this year has no Syrian-written productions highlights this, he said. All its productions are based on foreign scripts and most were written by the 19th-century Norwegian playwright Henrik Ibsen.
Hajj and Kafri agreed that this situation is disheartening for young thespians and makes them timid about pursuing new projects.
“We are not experienced in the right way to deal with the paperwork needed to get a stage we want to rent,” Hajj said. “Also, we feel like we are judged even before we show them our art. We feel like they are thinking: ‘Who are you to come and rent a stage here?’ We feel unwanted.”
Alternative spaces
Many private halls and spaces, however, can be used as makeshift theatres when needed. This too presents problems, most significantly the cost of renting and converting the spaces into temporary theatres.
“They are not real theatres,” Hajj said. “They are halls that we need to turn into theatres by installing a stage, a sound system, etc.”
As an officer for Rawafed, the cultural programme of The Syrian Trust for Development, Kafri is working to increase the number of theatres and alternative spaces that young producers can use to stage their works. It also provides support to a small number of individual projects and gives them legal, financial, follow-up, networking and media assistance.
Homs Artistic Space, managed by Samer Ibrahim, is one of the projects supported by Rawafed. Of 165 projects that applied for Rawafed support in 2010, Homs Artistic Space was one of only five that were accepted, Samer Ibrahim, project manager, said. Its goal is to provide a space for young artists in Homs to deliver their work.
“We support multiple art forms including theatre, fine arts, poetry and photography,” he said.
The project was set up to tackle the lack of theatre space in Homs. The main stage, the Culture Centre Theatre, has been under construction since 2005, Ibrahim explained, leaving only one small theatre for all the cultural activities in the city.
The project plans to convert the old train station in Homs into an artistic space, giving young artists a place to present their work.
Innovative solutions
Because some plays are written to be performed in small, intimate environments while others are designed for large spaces, theatre producers in Syria sometimes adapt the spaces to their plays – or sometimes adapt their shows to the spaces available to them.
For instance, Ahmed and Mohammed Malas created a small theatre in their bedroom. They came up with the idea in February 2009 when they could not find affordable space to stage a production. The play was called Melodrama in the Room, and an audience of 15, crammed on the floor, watched the production. The Malas brothers submitted their bedroom to the Guinness World Records to be named the smallest theatre in the world. Since then, they have staged three more plays inside their bedroom and they have made a number of press appearances.
Another solution to the lack of theatre space is to simply go outdoors and perform. The Street Theatre Project began in Syria in 2008.
“It solves the problem of the place, and, also, knowing that this play is taking place in the streets, we managed to connect with the audience on a higher level,” Hajj, who participates in the programme, said. In 2008, Bassam Dawood, an actor, director and co-founder of the Khuta Workshop, directed a street theatre project called Mowkif.
The concept of the show was a play on Arabic words. Mowkif means both a bus stop and a personal stand.
“We created our stage to look like a bus stop, but we meant it to emphasise your stand as a human being towards a number of things in your life,” Dawood explained. The play also served as a vehicle for social commentary by confronting some harsh realities that exist on the street, particularly the lives of street children.
Yet, the project was not without hurdles. The Street Theatre Project has faced problems trying to get governmental permission to perform.
“Street theatre should not be advertised or announced before the show,” Hajj explained. “We should be able to stop somewhere and start performing for the people standing nearby.”



